Poemes Visuals (Visual Poems)

Cannes – França

1994

Prize of the Juror

Festival International de la Marionnette

Vall d’Albaida – València

1995

Prize to the best spectacle

Mostra Internacional de Titelles

Kingersheim – França

1999

Prize of the Juror

MOMIX. Festival de Marionnettes

Polònia

2002

Prize to the best spectacle

Torun International Puppet Theater’s Festival

Polònia

2002

Prize to the best interpretation

Torun International Puppet Theater’s Festival

Polònia

2002

Prize of the Juror to the best company

Torun International Puppet Theater’s Festival

Ljubeljana – Eslovènia

2004

Awards

VII Festival International de LUTKE

Sofia – Bulgària

2006

Awards

IV International Festival for Puppet Theater PUPPET FAIR

 França

2007

Prize to the best spectacle

L´Association Culturelle du Theâtre Dofin Argenté

Varsovia – Polònia

2011

Prize to the best interpretation

Torun International Puppet Theater’s Festival

Cannes – França

1994

Prize of the Juror

Festival International de la Marionnette

Vall d’Albaida – València

1995

Prize to the best spectacle

Mostra Internacional de Titelles

Kingersheim – França

1999

Prize of the Juror

MOMIX. Festival de Marionnettes

Polònia

2002

Prize to the best spectacle

Torun International Puppet Theater’s Festival

Polònia

2002

Prize to the best interpretation

Torun International Puppet Theater’s Festival

Polònia

2002

Prize of the Juror to the best company

Torun International Puppet Theater’s Festival

Ljubeljana – Eslovènia

2004

Awards

VII Festival International de LUTKE

Sofia – Bulgària

2006

Awards

IV International Festival for Puppet Theater PUPPET FAIR

 França

2007

Prize to the best spectacle

L´Association Culturelle du Theâtre Dofin Argenté

Varsovia – Polònia

2011

Prize to the best interpretation

Torun International Puppet Theater’s Festival

Power Point (English, 2024)

One day, my puppetry teacher said to me, “Jordi, I am old now, soon I will depart. But before I go, I would like to leave you my latest creation, with one condition. You must incorporate it into your repertoire and perform it for your audience, so my spirit will live on.”

“It will be a great honor for me,” I replied.

And that’s how my puppetry teacher showed me his final show. It consisted of four very simple stories, created with just two hands, an old guitar, and some white dots.

S
T
O
R
I
E
S

1ª NO CLINC CLINC.

Two characters, each crafted with two hands and two dots, set out to play a blues piece on a guitar. After encountering some coordination issues, they decide to switch to classical music, successfully producing a harmonious sound. However, as they reach the end of their performance, they lose the guitar strings. 

From that point on, they must coordinate and work together as a team to search for the lost strings.

2ª  METAMORPHOSIS

The second story unfolds from a question: What would happen if, one evening, Gregor Samsa, the protagonist of Kafka’s Metamorphosis, were to escape from the room where his family has confined him?

3ª  THE DREAM OF MR ÉRIK

Erik is a romantic dreamer with a deep fascination for the Earth’s satellite. In vain, he tries to reach it with his hand or by climbing a ladder. One evening, while playing the piano, he falls asleep. 

In his dream, he sees his head separating from his body and embarking on a journey to the Moon. After their encounter, they decide to exchange roles. Mr. Erik will shine in the night sky, and the Moon will join Erik’s body to continue creating music with the piano. 

At that moment, the puppeteer’s voice is heard saying: “If you want to reach the Moon, don’t use a ladder. Dream!”

4ª THE TRAMPOLINIST

New four-handed version of the legendary foam character from Jordi Bertran’s company. 

A fun story that narrates the misadventures of a trampoline jumper attempting to leap into a basin of water to the rhythm of an imaginary guitarist’s guitar, with everything going wrong.

One day, my puppetry teacher said to me, “Jordi, I am old now, soon I will depart. But before I go, I would like to leave you my latest creation, with one condition. You must incorporate it into your repertoire and perform it for your audience, so my spirit will live on.”

“It will be a great honor for me,” I replied.

And that’s how my puppetry teacher showed me his final show. It consisted of four very simple stories, created with just two hands, an old guitar, and some white dots.

STORIES

1ª NO CLINC CLINC.

Two characters, each crafted with two hands and two dots, set out to play a blues piece on a guitar. After encountering some coordination issues, they decide to switch to classical music, successfully producing a harmonious sound. However, as they reach the end of their performance, they lose the guitar strings. 

From that point on, they must coordinate and work together as a team to search for the lost strings.

2ª  METAMORPHOSIS

The second story unfolds from a question: What would happen if, one evening, Gregor Samsa, the protagonist of Kafka’s Metamorphosis, were to escape from the room where his family has confined him?

3ª  THE DREAM OF MR ÉRIK

Erik is a romantic dreamer with a deep fascination for the Earth’s satellite. In vain, he tries to reach it with his hand or by climbing a ladder. One evening, while playing the piano, he falls asleep. 

In his dream, he sees his head separating from his body and embarking on a journey to the Moon. After their encounter, they decide to exchange roles. Mr. Erik will shine in the night sky, and the Moon will join Erik’s body to continue creating music with the piano. 

At that moment, the puppeteer’s voice is heard saying: “If you want to reach the Moon, don’t use a ladder. Dream!”

4ª THE TRAMPOLINIST

New four-handed version of the legendary foam character from Jordi Bertran’s company. 

A fun story that narrates the misadventures of a trampoline jumper attempting to leap into a basin of water to the rhythm of an imaginary guitarist’s guitar, with everything going wrong.

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